The starting point for the exhibition was the 3D scanning of a 100-year-old house. The rooms and items were only partially recorded, leaving the 3D models full of holes. Still, it felt that fragmented 3D models were a great offset for my pieces. The errors produced by new technology act as a metaphor for the fragility and transience of life and memories. The object is displayed as a shape and an image from various angles in a manner similar to Cubism.
Kitchen island, 2019
Materials: 2d printed digital photo wallpaper
Size: H 2000 x W 3000 mm
Still life, 2017
Materials: 2d printed digital photo on silisec under acryl
Size: H 520 x W 700 mm or other
Flower Arrangement, 2017
Materials: 2d printed digital photo on silisec under acryl
Size: H 470 x W 650 mm or other Place: Private collection
Sitting Man, 2017
Materials: 2d printed digital photo on silisec under acryl
Size: H 520 x W 700 mm or other
Triumphal Arch, 2017
Materials: 2d printed digital photo on silisec under acryl
Size: H 500 x W 700 mm or other
Green Wall, 2017
Materials: 2d printed digital photo on silisec under acryl
Size: H 520 x W 720 mm or other
Stream, 2017
Materials: 2d printed digital photo on silisec under acryl
Size: H 750 x W 750 mm or other
Yellow Room, 2018
Materials: 2d printed digital photo on silisec under acryl
Size: H 750 x W 1000 mm or other
Stairs, 2018
Materials: 2d printed digital photo on silisec under acryl
Size: H 750 x W 1000 mm or other
Skull and Yellow Lilies, 2017
Materials: 2d printed digital photo on silisec under acryl
Size: H 750 x W 1000 mm or other
